El Malo, notorious Mexican bandit, forces the Mayor of Sierra Blanca, Seth Landport, to open the safe and turn over to him 2,000 pesos, which the bandit gives a promissory note for to the Mayor. Seth rushes to the cantina where Sheriff Rankin is drinking, and the sheriff posts a reward for the capture of El Malo. El Malo informs his men of the reward. The bandit and his sidekick, Pedro, visit the cantina where Pedro resumes a former acquaintance with Dolores, while El Malo has his attention directed to a tango being performed by Carmita. El Malo pushes her dancing partner aside and finishes the dance with Carmita. Since Seth's description of him is not accurate, El May visits the sheriff and promises to deliver the wanted bandit to the cantina the following night. THe following morning, El Malo and Pedro depart, and, halting their horses on a hill, view the stagecoach being held up by a trio of outlaws.

Loretta Young plays dual roles in this 1930 crime drama about a young thief planning to steal jewels from a wealthy socialite.

In Russia in the early 1900s, Fedya, a handsome, self-indulgent womanizer, falls in love with and marries Lisa, his friend Victor's fiancée. Fedya quickly tires of domestic life and resumes his profligate ways, drinking and gambling away his family's fortune. Lisa refuses to leave him despite his deplorable ways, so he takes drastic measures to ensure that she will no longer be harmed by his actions and reputation.

Young Mary Rainey takes the reins of her deceased father's failing circus. With the help of the Inimitable Smiley Johnson, she hopes to bring fortune back to her ragtag band of ragged shoeleather performers.

A distinguished English gentleman has a secret life--he is the notorious jewel thief the press has dubbed "The Amateur Cracksman". When he meets a woman and falls in love he decides to "retire" from that life, but an old friend comes to him with a predicament that entails him committing one last job.

A semi-documentary experimental 1930 German silent film created by amateurs with a small budget. With authentic scenes of the metropolis city of Berlin, it's the first film from the later famous screenwriters/directors Billy Wilder and Fred Zinnemann.

Mary Turner gets a three year prison sentence for a crime she didn't commit. Once released, she plots to get back at the man responsible for her conviction.

Jerry, Connie, and Franky are small-town girls seeking wealthy husbands in New York City. But, while Connie and Franky are reckless with their affections — one bedding a married man and the other marrying a scoundrel — Jerry is determined to remain practical. As she mothers her wounded, heartbroken friends, she stalwartly but foolishly resists the advances of the good-hearted and affluent Tony Jardine.

A woman gets help from her gangster friends after her foster son takes the blame for a murder he did not commit.

Based on the farcical stage play written by Pulitzer Prize-winning* writer Elmer Rice, Oh, Sailor Behave! is a movie Musical with a split personality. Nanette Dodge (Irene Delroy) falls for newspaper reporter Charlie Carroll (Charles King) who is on assignment in Venice to land an interview with Romanian General Skulany (Noah Beery). Our couple is split apart by a pair of storylines - Nanette tries to woo a Russian prince (Lowell Sherman) who is blackmailing her sister, while Charlie, following a lead to the general, finds himself Romantically involved with Kunegundi (Vivien Oakland), "the general's favorite."

Policeman Edgar Kennedy is told by his chief he better stop a string of burglaries that have been happening on his watch or else he will get the sack. He persuades vagrants Stan and Ollie to rob the chief's house so he can regain his reputation by catching them. The policeman promises to later get the boys off. Things do not go as planned.

When a woman is convicted of murder, one of the jurors selected to serve on the murder-trial jury believes the accused, an aspiring actress, is innocent of the crime and takes it upon himself to apprehend the real killer.

Mogador, Morocco. Late 1920s. A complex romance develops between a womanizing Legionnaire and a disillusioned Parisian cabaret singer.

A wild-partying flapper marries a cowboy and tries to adjust to life on a western ranch.

Herman Melville's mad Capt. Ahab (John Barrymore) spends years hunting the white whale that got his leg.

Min, the owner of a dockside hotel, is forced to make difficult decisions about the future of Nancy, the young woman she took in as an infant.

Close up we see pistons move up and down or side to side. Pendulums sway, the small parts of machinery move. Gears drive larger wheels. Gears within gears spin. Shafts turn some mechanism that is out of sight. Screws revolve and move other gears; a bit rotates. More subtle mechanisms move other mechanical parts for unknown purposes. Weights rise and fall. The movements, underscored by sound, are rhythmic. Circles, squares, rods, and teeth are in constant and sometimes asymmetrical motion. These human-made mechanical bits seem benign and reassuring.

A very young Joan Bennett tops the cast as Nan Sheffield, the daughter of a college president. The nominal leading man is Tommy Nelson, the black-sheep son of a wealthy alumnus. Though Nelson is an ace football player, President Sheffield refuses to enroll the boy because of his bad reputation, whereupon Tommy's father withdraws his financial backing and bars his son from ever setting foot on Sheffield's campus. Falling in love with Nan, Tommy signs up with the college under an assumed name, giving up his wastrel ways to lead the football team to victory. Joe E. Brown steals the show as Speed Hanson, a goofy gridiron star who emits a loud and long yell whenever scoring a touchdown (this was, in fact, the first film in which Brown's famous "Yeeeeowww" was heard -- but certainly not the last).

Mammy features Al Jolson as the star of a travelling minstrel show, appearing in cities and towns across the U.S. Jolson falls in love with an actress in the troupe (Lois Moran), but she loves another (Lowell Sherman). Sherman is shot onstage as part of a comedy bit, and it is assumed that Jolson is guilty of putting the bullet in the gun.

August Bolte, the richest man in a settlement in German East Africa in the period before World War I, is called "Mamba" by the locals, which is the name of a deadly snake. Despised by the locals and the European settlers alike for his greed and arrogance, Bolte forces the beautiful daughter of a destitute nobleman to marry him in exchange for saving her father from ruin. Upon her arrival in Africa, she falls in love with an officer in the local German garrison. When World War I breaks out, Bolte, unable to avoid being conscripted, foments a rebellion among the local natives.

A socialite masquerades as a notorious femme fatale to win back her straying husband during a costume party aboard a doomed dirigible.

When a shipping clerk is recruited by his employer to help his golf game, his boss insists he conceal his humble identity at the country club.

The film consists of a series of tightly interlinked vignettes, the most sustained of which details the story of a man and a woman who are passionately in love. Their attempts to consummate their passion are constantly thwarted, by their families, by the Church and bourgeois society in general.