Integration Report 1, Madeline Anderson's trailblazing debut, was the first known documentary by an African American female director. With tenacity, empathy and skill, Anderson assembles a vital record of desegregation efforts around the country in 1959 and 1960, featuring footage by documentary legends Albert Maysles and Richard Leacock and early Black cameraman Robert Puello, singing by Maya Angelou, and narration by playwright Loften Mitchell. Anderson fleetly moves from sit-ins in Montgomery, Alabama to a speech by Martin Luther King Jr. in Washington, D.C. to a protest of the unprosecuted death in police custody of an unarmed Black man in Brooklyn, capturing the incredible reach and scope of the civil rights movement, and working with this diverse of footage, as she would later say, “like an artist with a palette using different colors.”

Blue Pullman is a 1960 short documentary film directed by James Ritchie, which follows the development, preparation and a journey from Manchester to London on new British Railways Blue Pullman units. As with earlier British Transport Films, many of the personnel, scientists, engineers, crew and passengers were featured in the 20 minute film. It won several awards, including the Technical & Industrial Information section of the Festival for Films for Television in 1961. The film is also particularly noted for its score, by Clifton Parker, which, unlike the earlier Elizabethan Express is uninterrupted by any commentary.

Featuring archival footage from both German and UK sources, this documentary examines the defense of Britain during the early years of World War II.

At the end of the 1950s, French documentarian François Reichenbach spent eighteen months traveling the United States, documenting its diverse regions, their inhabitants, and their pastimes. The result is a journey through a multitude of different Americas, filtered through a French sensibility.

Donald Houston plays a Welshman who tells the story of what it's like to live in small town Wales and how the train service helps.

Seminal piece of documentary filmmaking by New Wave director Karel Reisz following the daily activities of members of the Lambeth Youth club in late-1950s London.

A 10-minute portrait of modernist poet and de Andrade’s godfather, Manuel Bandeira, is clear in its affection for it subject, though like many New-Waveish films of the time, depicts the modern urban landscape as an ominous and alienating force.

A short story narrated by an unknown British soldier who reveals his hopes, fears, and disillusionment while heading into battle against the German army.

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

Several stories depicting the landscapes and fauna of India are mixed with documentary footage.

Behind the scenes of Darby O'Gill and the Little People.

Jan Schmidt and Pavel Juráček turn their attention to the problem of Czechoslovakia's unloved cars in this whimsical documentary short.

Windjammer, the first presentation in CINEMIRACLE, is the record of a training cruise of the full-rigged S/S Christian Radich from Oslo across the Atlantic, through the Caribbean, to New York and back home again.

A fabulous new adventure in exciting entertainment.

A short documentary on the chateaux of the Loire in France was commissioned by the French Tourist Bureau.

Adaptation of Martin Armstrong's poem about an elderly lady who becomes perturbed by something we can't see. It becomes apparent that she is looking for her past, lost in a memory or the clutches of nostalgia. Miss Thompson's shopping trip to town is in chaotic contrast to the tranquil nature of her lonely home, which on return seems like paradise.

On October 13, 1957, cash was exchanged in the GDR (old bills 1:1 for new bills). The film reports on this event.

Impressions of the rue Mouffetard, Paris 5, through the eyes of a pregnant woman.

A documentary about the life of Jewish children forced to live in the Theresienstadt concentration camp.

A filmed version of Aaron Copland's most famous ballet, with its original star, who also choreographed.

Tongue-in-cheek look at the French Riviera, especially in summer when it overflows with tourists. Reviews its history and famous visitors; displays its faux-exotic buildings, its crowded beaches, its trees and monuments; and, pokes fun at the colors women wear and the vagaries of fashion. The film celebrates the use of "Eden" as a place name, suggesting that paradise comes to the coast after all are gone, perhaps only on a remote island beach.

Le chant du Styrène is a 1958 French documentary film directed by Alain Resnais. The film was an order by French industrial group Pechiney to highlight the merits of plastics.

A compilation featuring comedic stars of the silent era including Will Rogers, Laurel and Hardy, and the Keystone Cops.

Lowell Thomas travels across Europe and the Middle East on his way to attend the coronation of King Mahendra in Nepal.