Popeye, Olive Oyl and Wimpy are shipwrecked on an island of hostile Indians

Popeye and Olive Oyl visit a rodeo.

While Bimbo and Koko admire Betty, their experiment becomes a monster.

Betty and Bimbo, as Queen and King of the May, host a giant outdoor party that gets sprayed with rubber. Koko appears briefly.

Betty Boop hosts a Hallowe'en party with a few uninvited guests.

Betty drudges in the kitchen alone until her friends (including Bimbo and Koko) hold a surprise birthday party for her… which gets rowdy.

Mussorgsky's composition is the soundtrack for this pin-screen animated take on night and wild things. A scarecrow blows down, clouds move by quickly. Beings take shape; a town appears, animals flee, and a horse gallops by. A child looks on. Monsters run and float by: the phantasmagoric is everywhere. A woman's figure tumbles through space. A clash ensues. The horse falls. Goblins take control. The night and its denizens are relentless. Forms appear and become grotesque. Will dawn and calm ever come?

Santa's little helpers must hurry to finish the toys before Christmas Day.

An initially realistic chess game becomes a chaotic, animated quest for the favors of Betty Boop (the black queen) by Bimbo (white king) and others, with elements of bowling and football. Koko appears.

Koko is recruiting customers for a 50 cent sightseeing tour of the museum. Betty is Koko's only passenger. Betty gets locked inside by accident. The skeletons from the displays come to life and chase Betty, until she is finally rescued by Bimbo.

On a South Sea isle, Bimbo meets Betty in the guise of a hula dancer.

Betty, Koko and Bimbo sell a weird concoction in their medicine show.

Betty's campaign tries to appeal to everyone. Real candidates are parodied, but campaign promises are a bit bizarre.

Two Dutch children stumble on a clearing in the woods where gnomes are going about their business. The gnomes are friendly to the children. A witch comes and takes them away on her broom to her gingerbread house, where she turns nasty on them, turning the boy into a spider, her yowling cat to stone, and tries to turn the girl into a rat when a gnome's arrow stops her. While the gnomes are fighting the witch, Hansel and Gretl free the other children who have been imprisoned and transformed by the witch.

A mannequin in the city dump improvises a working piano from junk, then plays and sings the title song. Various discarded items join in with song or dance.

Early Japanese anime. A stop-motion papercraft animation set to a song sung by Kikoku Inoue

A love story set to a baroque score, HARLEQUIN is a delicate black-and-white ballet rendered through exquisitely detailed silhouettes.

During the Great War, Bosko and a fearsome beast are in a dogfight. Bosko loses, but that's only the first battle.

In the last of the Silly Symphonies season cycle, bears hibernate (or try to), raccoons sneeze, moose swim, and pretty much everyone ice skates. Everyone gathers around the groundhog to see what happens.

During the late Kamakura period, there lived a famous swordsmith known as Masamune whose renown as a swordsmith was so great that even long after his passing the term “Masamune” was used to describe any fine sword. Even today, the Masamune Prize is awarded to swordsmiths of outstanding skills in their craft. In Yasuji Murata’s cutout animation The Monkey Masamune a humble messenger is rewarded with the gift of a Masamune sword when he saves the life of a monkey and her child.

Made during the early years of the movie musical, this exuberant revue was one of the most extravagant, eclectic, and technically ambitious Hollywood productions of its day. Starring the bandleader Paul Whiteman, then widely celebrated as the King of Jazz, the film drew from Broadway variety shows to present a spectacular array of sketches, performances by such acts as the Rhythm Boys (featuring a young Bing Crosby), and orchestral numbers—all lavishly staged by veteran theater director John Murray Anderson.

Waffles the Cat and Don Dog find themselves at the mercy of animate skeletons inside an Egyptian tomb.

Mickey comes onstage to the applause of an unseen audience and plays various classical tunes on the violin, after some minor mishaps. During a sad song, he is overcome with emotion and has to stop.

Mickey Mouse, piloting a steamboat, delights his passenger, Minnie, by making musical instruments out of the menagerie on deck.